Weniki Hensch, The Echo of our Evolution, Instruments of Surveillance (installation view), NCM 2024. Photo by Casey Horsfield
Seminar Room • 18 January, 10.30am–11.30am
Free with museum entry, bookings required
Reserve your spotWhat makes you, “you”? Layers of experience, personality and connection with loved ones combined with our physical traits all come together to create a unique blueprint – a fingerprint of who we are.
In this fun and engaging workshop with multimedia artist Weniki Hensch consider these layers and be encouraged to think about them in new ways.
Guided by Weniki, create an acrylic and plywood magnet to take home and treasure. Using pre-cut shapes hand drawn by Weniki and inspired by carved markings and motifs of Papua New Guinean masks and sculptures, learn how these shapes echo and mimic our subtle facial expressions and individual features that make us instantly recognisable to those we love.
While you create your magnet, hear Weniki speak more about the meaning behind her artwork, Echo of our Evolution, including the surprising origins of facial recognition software, and the importance of family, culture and understanding our origins.
Who is this for?
This workshop is for all ages, but little hands may need help putting pieces together. If you don’t wish to participate in the workshop but are attending as a helper, please book a companion ticket to ensure we can include everyone who wants to participate.
This workshop involves minimal use of low temperature glue. NCM staff are happy to help where needed.
Workshop outcomes
Take home a miniature artwork of your own to display on your fridge and be empowered to engage in deeper conversations about who you are.
See below an example of what your magnet might look like. What unique features will yours have?
Workshop Facilitator
Weniki Hensch
Facilitator
Weniki is a Papua New Guinean-born multidisciplinary artist based in Naarm/Melbourne. Her translation of cultural connection is informed by ongoing collaborations with institutional collections including from the Museum and Art Gallery of the Northern Territory, Melbourne Museum and the National Gallery of Victoria. Her impetus for working with cultural material is to connect and awaken stories of traditions untold, to enliven the embers and activate family stories and country. Weniki’s work with mixed mediums such as perspex, painting, sound and installation has been an evolving lens transmuting the continual process and navigation of the unpeeling of the ‘self.’
Artwork Statement
Echoes of our Evolution by Weniki Hensch
‘The origin of our visual recognition begins from birth, direct from the womb between mother and child, then progresses to recognising conscience and unconscious visual cues in others outside of the family unit. This installation is a translation of American psychologist Dr Paul Ekman’s Facial Action Coding System which is an anatomically based system for describing all visually discernible facial movement. It breaks down facial expressions into individual components of muscle movement, called Action Units (AUs). These studies have been instrumental in the development of the structural mechanics of today’s Facial Recognition technologies.
The layered perspex and plywood mimic the gestural facial markings which deepens and accentuates the structures of the faces on these pieces. Echoing the interactions and gradients of emotions shared between loved ones or strangers. The chest piece, which is based on my form and body print, represents a ‘blueprint’, a genetic map of ancestors of the past, present and future. A reminder of the origin of humanity through the steady acceleration of technology.’
Weniki’s artwork Echoes of Evolution is on display in Instruments of Surveillance .. Make sure to take a look for inspiration.
Accessibility
Seminar Room