NCM is situated on the lands of the Wurundjeri Woi-wurrung people. We pay respects to them, especially their Elders and storytellers, as well as all First Peoples, nationwide. NCM acknowledges that communication technologies have a long history here, far longer than European occupation.

Feature exhibition • 19 Sep 2026 - 21 Feb 2027

Book museum tickets

“My love letter to the personal computer” – Mel Huang Buntine

What if computation wasn’t about speed, automation and scale but building slower, tender and more personal systems? Radical Computing, guest curated by Mel Huang Buntine, is a love letter to the personal computer and to all those who tinker, weave, extend, stretch, hack, subvert and make with the materiality of code.

Owning your own computer was once a radical concept. When computers started entering our homes from the 1970s, computing was out of reach to most people. Affordable, small computers that could be built by everyday people changed this.

From the raw energy of the Demoscene, Australia’s early rave and hacker underground, to global creative coding and open-source software movements, Radical Computing celebrates those who have shaped, challenged and reimagined our world via code as a medium.

Featuring commissions from artists like Chia Amisola and Chok Si Xuan, plus a revival of Laurie Spiegel’s groundbreaking work Music Mouse, this exhibition is anything but a computer graveyard.

Explore a vast array of personal computers from the Buntine Computer Collection, plus see a rare piece of computing history – NCM’s latest acquisition, a Connection Machine CM-2, restored by our Collections and NCM Studio teams, in collaboration with its original industrial designer, Tamiko Thiel.

Centring communities who have challenged traditional ideas of what computers are, how to use them and who they’re for, this is an interactive exhibition for all ages.

"For me, the computer is an inherently radical object. The people, communities and computers in this exhibition push the boundaries of what computation can be." — Mel Huang Buntine

Mel Huang Buntine, with the Buntine Computer Collection. Photo: Casey Horsfield

About the curator

Mel Huang Buntine

Mel Huang Buntine is a designer and technologist for the cultural and education sectors collaborating with institutions and festivals such as National Gallery of Victoria (NGV), 4A, Powerhouse, Asia TOPA, Art Gallery NSW, Science Gallery, Dark Mofo, Museum of Old and New Art (MONA), RISING and The Australian Ballet. She is currently the Radical Computing guest curator at National Communication Museum (NCM) and Senior Product Designer at Rome2Rio.

 
Spanning works across data visualisation, interactive design and live performance, Mel is passionate about the creative applications of technology in the arts and an advocate for multidisciplinary education having taught at The University of Melbourne and RMIT. She is the co-director of Creative Technology Melbourne and proud board member of Chamber Made. She co-founded the Buntine Computer Collection with her partner Andy Buntine in 2016.

Artists and collaborators

Chia Amisola

Tim Rodenbröker

Laurie Spiegel

Dan Sandin

Chok Si Xuan

Daniel Shiffman

cTrix

Vandalism News

Tamiko Thiel

Spencer Chang

Aarati Akkapeddi

Cat Full of Ghosts Electronics

Fetle Wondimu Nega (Nū)

VJ Tekno Mandala

Nasenbluten

Daisy Watt

Kate Geck

Ann Nguyen

Mel Huang Buntine

Thomas Tokamu

Dr. Jasmin Pfefferkorn

Dr. Philip Pond

Alex McLean (Yaxu)

Janani Suresh Ram

Cynetic

Panda Wong

John Szetho

Janey Li

ZATHAALGOR

maia

bright garbage

Vidya Rajan

Rita Bass

Ava Dinh-Vu

dsp3

Epiploke

Cyberseed

hellocatfood

Computers

Here is a small selection of the computers on display in the exhibition:

Connection Machine CM-2

IMSAI 8080

EAI PACE TR-48

Altair 8800

Amiga 1000/500/600

Atari 1040ST

Sega SC-3000H

Dick Smith System 80

Microbee (early prototype)

And many more…

CM-2 Connection Machine, courtesy of Tamiko Thiel

"I hope that visitors will recognise some aspect of themselves and their own relationship to technology as they commune with the CM-2 ... not just through their intellect but through their senses." – Tamiko Thiel, Lead Product Designer, Thinking Machines Corporation

Contributors

Curatorial

Guest Exhibition Curator
Mel Huang Buntine

Curatorial Advisors
Artistic Director, Dr Emily Siddons
Senior Curator, Jemimah Widdicombe

Design

Exhibition Designer
Studio Peter King

Exhibition Production and Visual Designers
boom studios

Branding and Exhibition Graphic Designer

Mel Huang Buntine

Brand Visuals

Thomas Tokamu

Digital Graphic Design Support
MASS

Fabrication

Boom studios

Project team

Head of Exhibitions: Megan Cassar

Exhibition Coordinator: Callum Stewart

Technical Lead, NCM Studio: Cameron Holman

Creative Lead, NCM Studio: Jesse Stevens

Creative Technologist, NCM Studio: Twig Takac

Senior Conservator: Ellie Thomas

Audience Engagement Manager: Felicity Dallimore

Operations Manager: Natasha Jackson

Education Manager: Matthew Duncan

Front of House Team Leader: Hayden Matthews

Collections Coordinators: Amelia Halley, Annie Llewellyn, Merryn Stanger

Art Handlers: Isabelle Cowan, Max Straume-Tsui

Technicians: Damian Perkins, Thomas Stokes

Marketing and Communications

Marketing & Communications Manager

Clare O’Connor

Digital Marketing Support

PN Digital

Publicist

Fiona Brook, Zilla & Brook

Public Programs

Accessibility

NCM designs its temporary exhibitions for people of all ages.

Expect noise, rough and uneven surfaces and high sensory elements. This exhibition may also contain flashing lights, rapid images, and other visual effects that may trigger seizures in individuals with photosensitive epilepsy.

Please exercise discretion.

  • NCM is fully wheelchair accessible
  • All gender and accessible toilets available on both levels
  • Hearing loop available
  • NCM is a high sensory space with a variety of noise and lighting

If you have any questions or access needs we can help with, please get in touch, we'd love to help. Email us on hello@ncm.org.au.